Austin Kleon opens the discussion in Steal Like an Artist with a profound statement: nothing is original. He encourages readers to understand that every artist, writer, and creator draws inspiration from various sources. This idea is fundamentally transformative; by acknowledging that our influences shape our creativity, we can begin to lean into those external inspirations instead of trying to erase them. Kleon references the evolution of artistic movements where originality was often an illusion. He explains that rather than creating in a vacuum, it’s more productive to identify our influences and find ways to expand upon or remix them.
For instance, he points out that many of history’s greatest artists borrowed and appropriated ideas from their predecessors. He cites the example of collage artists who mix fragments from various sources to create something new, demonstrating that creative expression often lies in the marriage of existing ideas. By embracing the
Kleon emphasizes the critical role that one’s environment plays in fostering creativity. He posits that to cultivate a vibrant sense of creativity, individuals must curate their surroundings to be conducive to their artistic impulses. This may involve surrounding oneself with inspiring objects, art, or even people who motivate and motivate creativity. The concept of environment extends to the digital landscape as well; the artist's online presence—social media engagement and networking—can be just as influential as their immediate physical surroundings. Kleon suggests setting the atmosphere for inspiration, which can be as simple as creating a designated workspace or a personal retreat where creativity can flow unimpeded.
To illustrate this, he recounts examples of creative figures who meticulously curated their workspaces to enhance their processes. For instance, writer Ernest Hemingway worked in spaces that limited distractions, helping evoke focus and motivation. In the modern context, Kleon points to the importance of digital curation, such as following accounts that inspire creative thought or avoiding platforms that drain one’s energy.
By making these conscious choices about one’s environment, the artist can create a sanctuary that facilitates creativity. This idea resonates with entrepreneurs and professionals alike, emphasizing that in any field, a supportive working environment is essential for fostering growth, innovation, and original thought.
In Kleon’s exploration of creativity, he unpacks the importance of side projects and hobbies. He illustrates how engaging in activities unrelated to one’s primary work can invigorate the creative process. These pursuits often lead to unexpected connections and insights that can influence one’s main work. Kleon encourages readers not to dismiss their creative side pursuits as irrelevant but to embrace them as essential components of their artistic journey.
For example, he shares anecdotes of successful artists and writers who have nourished hobbies outside of their creative professions. Steve Jobs' exploration of calligraphy infused his design sensibilities at Apple, while J.K. Rowling's love for storytelling and world-building in various formats culminated in the Harry Potter series. These side activities not only provide respite from the pressures of main projects but also offer fresh perspectives that can enhance one’s primary work.
Furthermore, side projects can serve as a sandbox for experimentation, allowing creators to test new ideas without the weight of expectation or pressure. Kleon encourages readers to adopt a playful attitude toward these endeavors, reminding them that play is the root of innovation.
One of the more surprising insights Kleon shares is the necessity of leading a 'boring' life to achieve creative success. He argues that by establishing a routine and setting aside dedicated time for creative work, artists can ensure productivity and consistency in their output. This may sound counterintuitive to many who equate excitement with creativity, but Kleon explains that true creative freedom arises from the strong foundation of regular practice.
The idea is that a structured life allows space for inspiration to flourish. Rather than striving to constantly be in thrilling environments or waiting for the muse to strike, Kleon suggests that developing a habit of creativity is what ultimately leads to artistic breakthroughs. He cites numerous successful creators who attribute their accomplishments to discipline rather than sheer inspiration.
Routine can take various forms depending on the individual’s preferences, but the key takeaway is that consistency breeds innovation. By committing to the grind—even when it's mundane—artists can cultivate the fertile ground from which original ideas can sprout.
In a powerful rallying cry, Kleon emphasizes the necessity of creating even when one doesn’t feel prepared or motivated. He articulates that waiting for the perfect conditions often leads to stagnation, while taking even small steps towards creation can catalyze momentum. Often, the pressure to be 'ready' can serve as a creative block. Instead, Kleon suggests that the act of creation itself can lead to feeling ready. Engaging with one’s craft frequently allows the artist to improve, refine their ideas, and discover new pathways.
He highlights the importance of setting personal deadlines that compel creators to engage with their work, regardless of their emotional state. By adopting this mindset, the creator can foster a rhythm of productivity that organically fuels inspiration.
This idea has broad applications, not just for artists but for anyone pursuing a project or a passion. The feel-good factor of having produced something, no matter how small, often triggers a feedback loop of creativity that can bear fruit in long-term projects. Kleon ultimately champions this practice as a means of sidestepping self-doubt and embarrassment, essentially inviting the creative spirit to flourish unencumbered.